atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

(Source: melanskyyworld, via marissavoir)

blacknoonajade:

karkles-the-adorabloodthirsty:

sonofbaldwin:

I got dressed in my traditional Indian regalia, but there was a man, he was the producer of the whole show. He took that speech away from me and he warned me very sternly. “I’ll give you 60 seconds or less. And if you go over that 60 seconds, I’ll have you arrested. I’ll have you put in handcuffs.”

- Sacheen Littlefeather in Reel Injun (2009), dir. Neil Diamond.

They were MAD, CONFUSED AND PRESSED that Marlon Brando would betray White Supremacy in this way.

To this very day, they are TWISTED over this.

And when Littlefeather got up there and READ THEM FOR FILTH, they GAGGED. For eons.

So I imagine there are people like me out there who’ve never even heard of Marlon Brando and are extremely confused over why this is important.

Marlon Brando was the Don in The Godfather, and in 1973, he was nominated for and won an Academy Award for it. However, he was also a huge Natives rights activist, and boycotted the ceremony because he felt that Hollywood’s depictions of Native Americans in the media led to the Wounded Knee Incident (which I was always taught as “the second massacre at Wounded Knee” but apparently that’s not the real name). He sent Sacheen Littlefeather, an Apache Native rights activist, in his stead. Wikipedia’s article on her explains the rest:

Brando had written a 15-page speech for Littlefeather to give at the ceremony, but when the producer met her backstage he threatened to physically remove her or have her arrested if she spoke on stage for more than 60 seconds.[5] Her on-stage comments were therefore improvised. She then went backstage and read the entire speech to the press. In his autobiography My Word is My BondRoger Moore (who presented the award) claims he took the Oscar home with him and kept it in his possession until it was collected by an armed guard sent by the Academy.

That is what this gifset is about.

You have GOT to read up on this. The Wounded Knee Incident, Marlon Brando and Sacheen Littlefeather, Anna Mae Aquash. ALL OF IT. 

(Source: feu-follet, via marissavoir)

vasundharaa:

This is a resource post for all the Good White Person™s out there. You know, the ones who say things like “It’s not my fault I’m white! Don’t generalize white people!”, or “I’m appreciating your culture! You should be proud!”, or “Why do you hate all white people, look I’m a special snowflake who’s not racist give me an award for meeting the minimum requirements for being a decent human being”.Well, if you are actually interested in understanding racism and how it ties into cultural appropriation, please read instead of endlessly badgering PoCs on tumblr with your cliched, unoriginal arguments and repeating the same questions over and over.
On White Privilegeaka don’t blame me just because I’m white:
It’s Not My Fault I Was Born White: Basics of White Privilege x
Racial Divide x
Endless Examples of White Privilege x
You Cannot Know What It’s Like To Be A Racial Minority x
Intersectional Feminism x
White Privilege Does Not Mean White People Have Perfect Lives x
White Privilege and White Supremacy: A Presentation x
You Will Never Experience Racism x
Understanding White Privilege x
White Privilege and Double Standards x
Systematic White Ignorance x
The Invisibility of White Privilege x
The Luxury of White Privilege x 
White Privilege: The Harry Potter Analogy x
Privilege Denial Bingo x
Privilege and Cost x
Check Your Privilege 101 x
Whiteness x
Whiteness is Not A Culture x
White Privilege and Racism x
Deeply Embarrassed White People Talk About Race x
When White Anti Racists Talk About ~Their Struggle~ x
White Privilege As A System x
On Reverse Racism aka you are being racist against white people:
Are White People Racially Oppressed x
White People, the new Racial Minority x
People Don’t Value Pale Skin!! x
There Is No Such Thing As Reverse Racism x
Racism vs. Not Racism x
But White People Are Discriminated Against In Foreign Countries x
The Myth of Reverse Racism: Why Cracker is Not N**** x
Satire: A Step Wise Guide on Being Reverse Racist x
Racism Against White People vs. Racism Against POCs x
On Cultural Appropriationaka I’m just appreciating your culture:
The Basics x
Identifying Appropriation x
But When We Wear It … x
Why Can’t I Wear It (Hipster Headdresses) x
Not Yours x
If You Take The Bindi x
White People Do It Better x
Multiculturalism and Appropriation x
Cultural Appropriation and Portrayals In Print Media x
Diminishing the Cultural Significance of the Bindi x
The Cultural Appropriation Bingo x
Why We’re Fed Up of Your Responses x
Identities Are Not Costumes x
Hinduism And Appropriation x
Religion and Privilege x
Bindis Are Cool x
Exotic India x
What’s Wrong With Cultural Appropriation x
Racism, Bindis and Ganesh Tattoos x
BUT YOU’RE SPEAKING ENGLISH! x
Cultural Appropriation Trolls x
Guide to Being An Appropriating Douchefuck x
New Age ~Culture Mixing~ x
In case you’re tired of the prose, here’s poetry x
Why You Shouldn’t Wear A Bindi x
Appropriating and Sharing x
Our Culture is A Punchline Until It’s a Trend x
Homage Or Insult x
Tattoos and Appropriation x
Bollywood is Not Synonymous With Indian x
College Party Costumes and Stereotypes x
Dotheads x
Bindis and Racist Humour x
Hindu Iconography x 
Misuse of Hindu Iconography x
Your Appreciation Doesn’t Help Us x
Assorted Vials of White Tears and Miscellaneous Antidotesaka I can’t change that I’m white/not all whites are racist/we are all humans:
Unoriginal Arguments Refuted x
Quick Checklist: You Might Be Racist If x
Your Opinion Isn’t Necessary x
I’m Not Responsible For My Ancestors x
The Kumbayah Myth x
Proud to Be White x
Good White Person x
We Don’t Hate White People x
Brutality of Colonialism And Why You Can’t Tell Us To Forget the Past x
People Who Claim Not To See Race Are More Likely to Be Racist x
All Races are Beautiful Said the White Girl x 
Race Blindness Is A Luxury x
Well, You’re Racist For Calling Me Racist x
I’ve Read About Its Significance, I Know What It Means 
Angry Because Someone Called You Racist x
We’re Not All Like That x
People Only Care About This Trivial Shit On The Internet x
I Can’t Apologize for Being Born White, It’s Not My Fault x
Why Can’t You Tell Me What I’m Doing Wrong x
It’s Easy to Be Color Blind When You’re White x
A Diagrammatic Guide To White Tears x
Conversations I’m Sick Of Having With White People x
Why Do You Hate White People x
I’m Trying To Be Cultured x
Sisyphean Conundrum x
What is Your Problem x
We Are All Human, We All Bleed Red x
It’s Just A Bindi x
How Not To Respond To Accusations of Racism x
I’m Italian And 0.009% Native American x
What White People Think Racism Means: A Venn Diagram x
White Guilt x
White Pride!!!111!!! x
I Like *Insert Foreign Country* I Want To Live There x
You Have So Much Hate, Fighting Fire With Fire Won’t Help x
BooHoo, Don’t Call Me Racist x
Not Everything Ended With Your Ancestors x
The Racist Reaction x
I Don’t See Why That Is Racist x
Crummy Apologies x
Okay. I agree. I’ve been socially conditioned not to notice racism and recognize my privilege. What can I do?
Listen x
A Step Wise Guide x
I don’t care about this bullshit; you’re making a big deal out of nothing, go home and delete your blog:
The Clueless White Person Bus x

vasundharaa:

This is a resource post for all the Good White Persons out there. You know, the ones who say things like “It’s not my fault I’m white! Don’t generalize white people!”, or “I’m appreciating your culture! You should be proud!”, or “Why do you hate all white people, look I’m a special snowflake who’s not racist give me an award for meeting the minimum requirements for being a decent human being”.

Well, if you are actually interested in understanding racism and how it ties into cultural appropriation, please read instead of endlessly badgering PoCs on tumblr with your cliched, unoriginal arguments and repeating the same questions over and over.

On White Privilege
aka don’t blame me just because I’m white:

On Reverse Racism
aka you are being racist against white people:

On Cultural Appropriation
aka I’m just appreciating your culture:

Assorted Vials of White Tears and Miscellaneous Antidotes
aka I can’t change that I’m white/not all whites are racist/we are all humans:


Okay. I agree. I’ve been socially conditioned not to notice racism and recognize my privilege. What can I do?

I don’t care about this bullshit; you’re making a big deal out of nothing, go home and delete your blog:

(via weareallmixedup)

5 weeks since Mike Brown was murdered. Darren Wilson is still free.

(Source: justice4mikebrown, via yellowxperil)

femmefilipina:

but, bbygrl, why a tura satana appreciation day?

[tw : rape]
she’s a total babe. duh.
she’s japanese, filipino, cheyenne + irish. 
she was simultaneously a straight-a student in school while being viciously bullied for her heritage + size and punished by her parents for getting into fights. i mean, even without the straight a’s, she was strong and endured feeling isolated at home and at school.
she’s a fellow rape survivor — “Walking home from school at the age of nine she was gang raped by five men. According to Satana, her attackers were never prosecuted and it was rumored that the judge had been paid off. She tells how this prompted her to learn the martial arts of aikido and karate and, over the next 15 years, track down each rapist and exact revenge. ’I made a vow to myself that I would someday, somehow get even with all of them’, she said years later. ‘They never knew who I was until I told them.’”
she began living on her own at the age of 13, after her parents married her to a 17-year old and she wasn’t having that bullshit. i can’t even imagine what that was like.
she was an extremely successful burlesque dancer, and even when she got pregnant at 19 she danced through the first eight months of her pregnancy! and yeah, she still made BANK. 
faster pussycat! kill! kill! — a cult classic john waters apparently calls the greatest movie ever made. i still haven’t seen it, but from what i’ve read it portrays the three female leads (tura satana is the LEAD lead) in positions or power that normally men are portrayed in, and that’s allll the way back in the 60’s. she did all her own stunts and fight scenes. the majority of satana’s styling and one-liners, and some additional key concepts of the film, were satana’s own doing.
after being shot by a former lover and staying in a hospital, she decided to study nursing and she did just that. she even briefly worked as the dispatcher for the lapd.
tura satana passed away on 2/4/2011, but she’s still amazing and one of my inspirations as a woc, especially as a mixed-race asian rape survivor struggling to embrace my sexuality. <3 and that’s why i’m giving her her own day! just who she was makes me feel good about me.
all facts taken from tura satana’s wikipedia page

femmefilipina:

but, bbygrl, why a tura satana appreciation day?

[tw : rape]

  • she’s a total babe. duh.
  • she’s japanese, filipino, cheyenne + irish. 
  • she was simultaneously a straight-a student in school while being viciously bullied for her heritage + size and punished by her parents for getting into fights. i mean, even without the straight a’s, she was strong and endured feeling isolated at home and at school.
  • she’s a fellow rape survivor — “Walking home from school at the age of nine she was gang raped by five men. According to Satana, her attackers were never prosecuted and it was rumored that the judge had been paid off. She tells how this prompted her to learn the martial arts of aikido and karate and, over the next 15 years, track down each rapist and exact revenge. ’I made a vow to myself that I would someday, somehow get even with all of them’, she said years later. ‘They never knew who I was until I told them.’”
  • she began living on her own at the age of 13, after her parents married her to a 17-year old and she wasn’t having that bullshit. i can’t even imagine what that was like.
  • she was an extremely successful burlesque dancer, and even when she got pregnant at 19 she danced through the first eight months of her pregnancy! and yeah, she still made BANK. 
  • faster pussycat! kill! kill! — a cult classic john waters apparently calls the greatest movie ever made. i still haven’t seen it, but from what i’ve read it portrays the three female leads (tura satana is the LEAD lead) in positions or power that normally men are portrayed in, and that’s allll the way back in the 60’s. she did all her own stunts and fight scenes. the majority of satana’s styling and one-liners, and some additional key concepts of the film, were satana’s own doing.
  • after being shot by a former lover and staying in a hospital, she decided to study nursing and she did just that. she even briefly worked as the dispatcher for the lapd.

tura satana passed away on 2/4/2011, but she’s still amazing and one of my inspirations as a woc, especially as a mixed-race asian rape survivor struggling to embrace my sexuality. <3 and that’s why i’m giving her her own day! just who she was makes me feel good about me.

all facts taken from tura satana’s wikipedia page

(Source: petitsirena, via weareallmixedup)

Tags: tw rape

headassbitch:

ego-venividivici:

euo:

[x]

I WNDHAHSHAHS RND

I fucking love him…

HIS FACE

Hehehe white guilt much?

(Source: stanleykubricky, via largeleftboob)

visualtraining:

micdotcom:

For many Muslim Americans, 9/11 was a double punch of tragedy and bigotry

The actions of 19 Islamic extremists on 9/11 left an indelible mark on America. Today, millions pause to commemorate the attacks’ 13th anniversary, to honor the victims and to remember that all life is special and sacred. But there’s an untold story amid the many speeches and moments of silence — one filled with a different kind of pain, grief and strong sense of loss. 

Those stories are now being told on social media

muslim americans as well as arab americans regardless of religious background and poc arbitrarily perceived to be arab

(via brownroundboi)

sosuperawesome:

Paper art by Morgana Wallace on Tumblr

(via owlprowls)

"After spending all day in school, our children are forced to begin a second shift, with more academic assignments to be completed at home. This arrangement is rather odd when you stop to think about it, as is the fact that few of us ever do stop to think about it.
Instead of assuming that homework should be a given, or that it allegedly benefits children, I’ve spent the last few years reviewing the available research and talking to parents, teachers and students. My findings can be summarized in seven words: Homework is all pain and no gain.
The pain is obvious to kids but isn’t always taken seriously by adults. Backpacks stuffed with assignments leave students exhausted, frustrated, less interested in intellectual pursuits and lacking time to do things they enjoy. “Most of what homework is doing,” says literacy expert Harvey Daniels, “is driving kids away from learning.”
We parents, meanwhile, turn into nags. After being away from our children all day, the first words out of our mouths, sadly, may be: “So, did you finish your homework?” One mother told me it permanently damaged her relationship with her son because it forced her to be an enforcer rather than a mom.
The surprising news, though, is that there are virtually no pros to balance the cons. Even if you regard grades or test scores as good measures of learning, which I do not, doing homework has no statistical relationship to achievement in elementary school. In high school, some studies do find a correlation between homework and test scores, but it’s usually fairly small. And in any case, it’s far from clear that the former causes the latter. And if you’re wondering, not a single study has ever supported the folk wisdom that homework teaches good work habits or develops positive character traits such as self-discipline, responsibility or independence."

Alfie Kohn, The Case Against Homework (via thislifeunforgiven)

Shit I knew in school but was unable to articulate.

(via catbountry)

(Source: fullmetalchickenwuss, via frustrasian)